Canon has just announced their newest mid-range DSLR: the EOS 70D. This Wi-Fi-connected camera falls in the EOS lineup between the 60D and the 7D as a high-performance, APS-C-sized DSLR that features the newly designed Dual Pixel CMOS AF technology, a refined 20.2MP APS-C image sensor, and a 3.0” vari-angle touchscreen LCD monitor along with a host of photographic and video-centric assets that combine to form a truly powerful image-making device that can handle video and still photo tasks with ease. Where this camera separates itself from previous models is through its combination of features that strive to generate higher-quality imagery with a rich feature set that facilitates wireless sharing, intuitive navigation and control over camera settings as well as an overall sense of efficiency throughout the entire system.
Dual Pixel CMOS AF
The most refined technology that differentiates the 70D from all past EOS cameras is its inclusion of the newly designed Dual Pixel CMOS AF system, which serves as the successor to the Hybrid CMOS AF II focusing system. When viewing videos of how this focusing system works in real time, it is clear that changing focus between subjects is handled in a smooth and natural manner with no jumping or hunting during focus shifts. It works in a highly intuitive manner with focus quickly changing between the intended subjects and maintains sharpness if the subject is moving through the scene. Allowing for more personalized control, too, Dual Pixel CMOS AF is equally adept at accommodating personal selection of focus points via the touchscreen interface for selective focus and shallow-depth-of-field effects.
This intelligent method of focusing begins at the sensor level and integrates two photodiodes into each pixel, in order to reap the benefits of a broad phase-detection sensor. The 40.3-million photodiodes cover nearly the entire sensor surface, for faster and more accurate focusing that is equally as smooth and adept at locking onto and tracking moving subjects. Having two photodiodes in each pixel helps to provide an inherently more comparative method of focusing from the beginning. Information is split and projected onto each of the photodiodes; the difference in signal from the separate diodes is then calculated in order to quickly determine the focus placement and drive the lens directly to this point. Since the difference in signals is determined prior to moving the lens’s focus position, proper focus can be attained in a single motion with no hunting or shifting. The benefits of this system extend into three distinct areas: speed, ability to fully utilize the LCD monitor in live view, and compatibility with more than 100 past and present EF and EF-S lenses, including the STM series of lenses for enhanced video-recording performance.
Compared to previous iterations of live-view focusing mechanisms, Dual Pixel CMOS AF works to eliminate a camera’s need to hunt for critical focus, and instead can quickly focus on the intended subject. Focus can be acquired in a straightforward and direct manner with no additional time required to measure before and behind the subject; the focus simply locks onto the subject in one single motion. This afforded speed is due, in part, to both the number of photoreceptors as well as the expansive area they cover. While the speed offers the greatest benefit to still-image creation, the focusing is also handled in a smooth manner, with natural transitions between different subjects and when maintaining focus on a moving subject. This fluidity is similar to the way a camcorder focuses and, as such, truly benefits video recording with the 70D.
Expanding this system’s role further, Dual Pixel CMOS AF works in close collaboration with the Touch AF function on the 3.0” 1,040k-dot vari-angle Clear View II touchscreen LCD monitor. This screen’s touch capabilities allow you to simply touch anywhere in the frame to select the point of focus. This is especially useful when recording video and working with rack-focus techniques; the focus shifts from one element to the other in a seamless and smooth manner while focusing accuracy is maintained. The quickened pace and intuitive focusing interface, using the screen, truly allows full use of the LCD monitor as a powerful viewing and composing tool for both still and video applications. While the speed of the live-view focusing isn’t quite as expedient as when working with the optical viewfinder, it is substantially improved compared to previous models’ live-view performance. Extending the monitor’s capabilities is a design that permits easier viewing from high and low angles as well as from the side of the camera. Autofocus can be ensured and reliable no matter what the viewing angle, giving way to a broad range of shooting positions and abilities that were previously more difficult to achieve.
Finally, this focusing system is compatible with a wide range of EF and EF-S lenses: 103 in total at the time of this announcement. This includes both past and current lenses that support this newly developed focusing technology. Furthermore, Dual Pixel CMOS AF supports the recently introduced Movie Servo AF mode, which pairs especially well with STM lenses that incorporate a stepping motor for near-silent focusing. This focusing mode is used when recording videos to provide full-time continuous autofocusing with subject tracking capabilities. When combined with the Dual Pixel CMOS AF system, this mode functions in an even more seamless and responsive way with intelligent autofocusing that can be refined through the Touch AF for selective focusing when recording.
20.2MP APS-C CMOS Sensor and DIGIC 5+ Image Processor![]()
In regard to the imaging performance of the 70D, it utilizes a 20.2 megapixel APS-C CMOS sensor and DIGIC 5+ image processor to produce high-resolution imagery that exhibits a wealth of detail and natural rendering of color and tone. The processing power from the DIGIC 5+ works to enable 14-bit A/D conversion, which helps to produce images with smooth gradations and overall fluency for greater apparent clarity in both photographs and movies. The 20.2MP sensor is the highest-resolution APS-C-sized sensor Canon has ever created, and as such, enables larger file sizes for more post-production versatility and larger print output sizes. Even though the pixel count has reached a new high, Canon has also ensured that the low-light performance of the 70D is maintained, due to the inclusion of the same image processor that is used in their full-frame DSLRs: the EOS 6D, 5D Mark III, and 1D X. Native sensitivity is rated at a range of ISO 100-12800, which is further expandable to ISO 25600, and the 14-bit signal processing helps to minimize visible noise when working with these higher sensitivity levels.
Aside from the image quality attributes provided by the sensor and processor, overall speed and performance is also enhanced throughout the camera system due to this combination. A full-resolution continuous shooting rate of 7 fps is possible, with burst rates up to approximately 60 consecutive JPEGs or 14 consecutive RAW files; full HD 1080p video recording is supported in multiple frame rates with manual exposure and audio level control.
A full-resolution continuous shooting rate of 7 fps
Built-In Wireless Connectivity
Another first for APS-C DSLRs from Canon is the integration of in-camera wireless connectivity for instant sharing and remote-control possibilities. Just as with the full-frame EOS 6D, the free Canon EOS Remote app is available for iOS and Android mobile devices and can control exposure settings (aperture, shutter speed, and ISO), focus, and release the shutter wirelessly, from a distance. Live-view monitoring is also supported on devices during use as a viable means for monitoring subjects within the composed image frame.
Shooting remotely with a smartphone
In addition to camera controls, the wireless feature enables the sharing and transferring of image files directly from the camera to mobile devices, other wireless-enabled Canon cameras, and to network-connected computers. Once files have been transferred to a mobile device, instant sharing via email, social networking sites, and cloud storage sites is possible. Files can be sent to the CANON iMAGE GATEWAY for expedited posting to social media sites, and remote viewing of stills and movies is also possible on DNLA (Digital Living Network Alliance) compatible devices, such as HDTVs and other wireless-connected devices. Wireless printing of photos is also possible straight from the camera when connected to a Pict-Bridge-compatible printer.
The EOS 70D is also compatible with the optional GP-E2 GPS Receiver, which enables geo-tagging and the embedding of locational data into images’ metadata for plotting to interactive maps. Elevation, direction, and Universal Coordinated Time (UTC) are also recorded along with the longitude and latitude of each recorded image.
Vari-Angle Touchscreen LCD Monitor
Serving an array of the technologies housed within the 70D, the 3.0” 1,040k-dot vari-angle Clear View II touchscreen LCD monitor is an efficient and intuitive means for live-view monitoring, image playback, and menu navigation. Its touch capabilities greatly enhance working in live view while shooting by way of Touch AF and a host of other touch-sensitive camera controls. Additionally, it gives way to a more natural method of navigating through menus when compared to working with conventional wheels or dials.
The vari-angle design of the monitor is ideally suited for working from high and low angles, as well as viewing and composing from the side of the camera. When coupled with touch control and the Dual Pixel CMOS AF system, live-view monitoring can now be used to the same extent and set of expectations as an optical viewfinder, giving way to fast and reliable focusing performance with versatile control and viewing abilities that are not otherwise possible. The screen itself features an anti-reflective smudge-resistant coating that makes viewing in bright light easier.
Intelligent Viewfinder and 19-Point AF System
For viewing in a more traditional manner, an optical pentaprism viewfinder is also integrated into the 70D and provides 98% frame coverage for clear eye-level finding. A superimposed LCD monitor is added to the viewfinder’s construction to allow for monitoring of crucial camera settings while viewing and, additionally, focus points, grid lines, and an electronic level can be activated to further aid composition.
When using the viewfinder, a 19-point all cross-type AF system is used to acquire focus deftly, even in difficult lighting conditions. The center point of this system is a high-precision, dual cross-type sensor that is compatible with f/2.8 and faster lenses. The cross-type design of these points ensures their accuracy with a greater range of subjects, and their configurable nature also allows you to tailor their results and use them for specific shooting applications.
iFCL 63-Zone Dual Layer Metering Sensor
The multi-layer 63-zone iFCL (intelligent Focus Color Luminance) exposure metering system is employed for both still image and movie recording in order to accurately depict any scene, regardless of lighting conditions. This metering system utilizes information garnered from focus, color, and luminance in order to set exposure precisely. The 63 zones cover a broad area of the image frame and the dual layer design (one red/green channel and one blue/green channel) works to offset the inherent red-light-sensitivity bias of image sensors in order to produce consistent and repeatable results. Evaluative, center-weighted, and spot-metering methods can be used to determine specific exposure setting results and +/- 5 EV still and +/- 3 EV movie exposure compensation is available when working in program AE, aperture-priority AE, and shutter speed-priority AE shooting modes.
EOS HD Video
Besides the creation of vivid still images, the 70D also supports the creation of full HD 1080p movies at 30, 25, and 24 fps frame rates. When recording videos, manual exposure control is available for refining the look and feel of movies through adjustment of the shutter speed, ISO sensitivity, and aperture setting. In addition to exposure control, audio levels can be adjusted across 64 levels and sound can be recorded using the built-in stereo microphone or with an optional external microphone, connected via the 3.5mm microphone terminal. Sound recording is the beneficiary of an automatic attenuator function that helps to alleviate audio clipping, for cleaner overall sound. Movies are saved using the high-quality H.264/MPEG-4 AVC codec, and video files greater than 4GB are automatically split for extended recording sessions (up to 29 minutes and 59 seconds). Additionally, both IPB and All i-frame compressions are available for use, depending on editing preferences and the final output destination.
Moving subjects are consistently and smoothly tracked for Full HD video that is in sharp focus.
Just as with still shooting, video recording benefits from the Dual Pixel CMOS AF system and its ability to provide smooth focusing that is both controllable and accurate. The Movie Servo AF mode provides continuous focusing during filming with subject tracking and also affords full compatibility with Canon’s STM lenses for extremely quiet focusing. The Touch AF function enables precise control over the exact placement of focus within the scene and is usable during recording as a viable means to control focus without having to touch the lens or move the camera during operation. By using the Touch AF control, rack focusing is possible to help swiftly move attention across the scene and to highlight specific elements in the frame when working with wider apertures, for shallow-depth-of-field shots.
Also serving to enhance creativity with movie recordings is the Video Snapshot mode, which allows recording of movies in clips of 2-, 4-, or 8-second segments and automatically stitches them together sequentially. This compilation of short video clips can then be set to music in-camera and output as one finalized edit—eliminating the need to manually sequence and edit with a computer.
Imaging Modes and Effects
For creatively modifying and enhancing the look of imagery in-camera, a wide array of options can be selected in-camera, ranging from HDR and Multiple Exposure modes to creative filters and scene modes. The High Dynamic Range (HDR) mode will automatically record a series of bracketed exposures in-camera and composite them together, in order to produce a single exposure that has extended highlight and shadow details along with an extended tonal mid-range. This is ideal for high contrast and backlit situations where the difference in exposure values in the scene is greater than a single exposure can record. Similar in approach, yet able to yield more creative possibilities, is the Multiple Exposure mode. When working in this mode, several exposures can be created manually and overlaid into a single file. Two distinct control settings are available for this: Additive and Average. The Additive setting closely resembles the process of creating a multiple exposure using film, in which each consecutive exposure is layered and the final exposure level is built-up across each frame. The Average setting will, rather, blend the recorded exposures into a final exposure that maintains a neutral density in order to avoid extreme under- or over-exposure.
Scene Intelligent Auto mode is an analytical auto-exposure mode that combines many of Canon’s exposure technologies together in order to produce imagery with refined exposure settings. Picture Style Auto, Automatic Lighting Optimizer, Automatic White Balance, Autofocus, and Auto Exposure all work in concert to carefully analyze the scene in order to calculate the most effective exposure settings to clearly render the subject. Also working to produce proper exposures, especially in difficult lighting conditions, are HDR Backlight Control and Handheld Night Scene modes. Both modes work in a similar fashion by recording multiple exposures of the same image and then compiling them in order to produce an image that exhibits reduced camera shake or greater shadow and highlight detail. For creative modification and enhancement of imagery, seven different Creative Filters are available and can be applied during shooting with results visible during live-view shooting.
Lens Kits
In addition to the 70D being available as a body only, it is also available in a kit with either the EF-S 18-55mm f/3.5-5.6 IS STM lens or the EF-S 18-135mm f/3.5-5.6 IS STM lens. The 18-55mm lens provides a 35mm equivalent focal length of 28.8-88mm and the 18-135mm provides a 35mm equivalent focal length of 28.8-216mm. Both lenses provide a range of coverage, from wide-angle to portrait and telephoto lengths, respectively. Both of these lenses are designated as STM lenses, which incorporate a stepping focus motor that helps to produce near-silent results when recording movies. They both also incorporate an optical image stabilization system that benefits image sharpness by the equivalent of four shutter-speed steps through the reduction of the appearance of camera shake.
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Canon EOS 70D with EF-S 18-55mm f/3.5-5.6 IS STM lens | Canon EOS 70D with EF-S 18-135mm f/3.5-5.6 IS STM lens |
BG-E14 Battery Grip for EOS 70D
A new battery grip for the 70D is also available to provide extended shooting capabilities and a more ergonomic way to handle the camera. The BG-E14 grip accepts up to two LP-E6 rechargeable lithium-ion battery packs or six AA batteries and is also compatible with the ACK-E6 AC Adapter Kit for constant AC power. The grip design incorporates several operating controls, including a shutter release, main dial, multi-controller, AF point selection button, AE/FE lock button, AF start button, and a multi-function button to increase functionality and operability while shooting in vertical orientation.
For more information on this exciting new Canon DSLR, stop by the B&H SuperStore in New York, speak with a sales professional on the telephone at 1-800-606-6969 or contact us online via Live Chat.
Canon EOS 70D | Canon EOS 60D | |
Camera Type | Digital AF/AE single-lens reflex camera with built-in flash | Digital AF/AE single-lens reflex camera with built-in flash |
Recording Media | SD, SDHC, SDXC memory card | SD, SDHC, SDXC memory card |
Compatible Lenses | Canon EF and EF-S lenses | Canon EF and EF-S lenses |
Lens Mount | Canon EF mount | Canon EF mount |
Image Processor | DIGIC 5+ | DIGIC 4 |
A/D Conversion | 14-bit | 14-bit |
Image Sensor Type | APS-C (22.5 x 15mm) CMOS | APS-C (22.3 x 14.9mm) CMOS |
Total Pixels | 20.9MP | 19MP |
Effective Pixels | 20.2MP | 18MP |
Pixel Unit | 4.1μm square | Not specified by manufacturer |
Aspect Ratio | 3:2 | 3:2 |
Color Filter System | RGB primary color filters | RGB primary color filters |
Low-Pass Filter | Fixed position in front of the image sensor | Fixed position in front of the image sensor |
Recording Format | Complies with Design rule for Camera File system 2.0 and EXIF 2.30 | Complies with Design rule for Camera File system 2.0 and EXIF 2.30 |
Image Format | Still: JPEG, RAW (CR2), JPEG+RAW Movie: MOV (image data: H.264, audio: Linear PCM) | Still: JPEG, RAW (CR2), JPEG+RAW Movie: MOV (image data: H.264, audio: Linear PCM) |
File Size | 3:2 L/RAW: 5472 x 3648 (20MP) mRAW: 4104 x 2736 (11.2MP) M: 3648 x 2432 (8.9MP) S1/sRAW: 2736 x 1824 (5MP) S2: 1920 x 1280 (2.5MP) S3: 720 x 480 (0.35MP) 4:3 L/RAW: 4864 x 3648 (17.7MP) mRAW: 3648 x 2736 (10MP) M: 3248 x 2432 (7.9MP) S1/sRAW: 2432 x 1824 (4.4MP) S2: 1696 x 1280 (2.2MP) S3: 640 x 480 (0.31MP) 16:9 L/RAW: 5472 x 3072 (16.8MP) mRAW: 4104 x 2310 (9.5MP) M: 3648 x 2048 (7.5MP) S1/sRAW: 2736 x 1536 (4.2MP) S2: 1920 x 1080 (2.1MP) S3: 720 x 408 (0.29MP) 1:1 L/RAW: 3648 x 3648 (13.3MP) mRAW: 2736 x 2736 (7.5MP) M: 2432 x 2432 (5.9MP) S1/sRAW: 1824 x 1824 (3.3MP) S2: 1280 x 1280 (1280 x 1280 (1.6MP) S3: 480 x 480 (0.23MP) | L/RAW: 5184 x 3456 (17.9MP) mRAW: 3888 x 2592 (10.1MP) M: 3456 x2304 (8MP) S1/sRAW: 2592 x 1728 (4.5MP) S2: 1920 x 1280 (2.5MP) S3: 720 x 480 (0.35MP) |
Color Space | sRGB, Adobe RGB | sRGB, Adobe RGB |
Picture Style | Auto, Standard, Portrait, Landscape, Neutral, Faithful, Monochrome, User Defined 1-3 | Standard, Portrait, Landscape, Neutral, Faithful, Monochrome, User Defined 1-3 |
White Balance Settings | Auto, Preset (Daylight; Shade; Cloudy, Twilight, Sunset; Tungsten Light; White Fluorescent Light; Flash), Custom (Approx. 2,000 – 10,000K), Color Temperature (Approx. 2,500 – 10,000K) | Auto, Daylight, Shade, Cloudy, Tungsten Light, White Fluorescent Light, Flash, Custom, Color Temperature setting |
Color Temperature Compensation | +/- 9 levels across blue/amber or magenta/green bias | Available |
Viewfinder Type | Eye-level SLR with fixed pentaprism | Eye-level SLR with fixed pentaprism |
Viewfinder Coverage | Approx. 98% | Approx. 96% |
Viewfinder Magnification/Angle of View | Approx. 0.95x / 27.9˚ (50mm lens at ∞, -1m-1 dpt) | Approx. 0.95x / 27˚ (50mm lens at ∞, -1m-1 dpt) |
Viewfinder Eyepoint | Approx. 22mm (At -1m-1 from the eyepiece lens center) | Approx. 22mm (At -1m-1 from the eyepiece lens center) |
Dioptric Adjustment Correction | -3.0 to +1.0m | -3.0 to +1.0m |
Focusing Screen | Fixed | Interchangeable |
Autofocus Type | TTL secondary image-forming, phase-difference detection with AF-dedicated CMOS sensor | TTL-CT-SIR AF-dedicated CMOS sensor |
AF Points | 19-point cross-type AF (all points cross-type at f/5.6, center AF point is cross-type at f/2.8) | 9 (cross-type, center AF point with dual cross sensor at f/2.8) |
AF Working Range | Center AF point: -0.5 to 18 EV Other AF points: 0 to 18 EV | 0-20 EV |
Focusing Modes | Autofocus (One-Shot AF, Predictive AI Servo AF, AI Focus AF), Manual Focus | Autofocus (One-Shot AF, Predictive AI Servo AF, AI Focus AF), Manual Focus |
AF Point Selection Modes | Manual/Auto | Manual/Auto |
AF-Assist Beam | Approx. 13.1' / 4m at center, approx. 11.5'. / 3.5m at periphery | Approx. 13.1' / 4m at center, approx. 11.5'. / 3.5m at periphery |
Exposure Metering System | TTL maximum aperture metering with 63-zone metering sensor | TTL maximum aperture metering with 63-zone metering sensor |
Exposure Metering Modes | Evaluative, Partial, Spot, Center-Weighted average metering | Evaluative, Partial, Spot, Center-Weighted average metering |
Exposure Metering Range | EV 1 – 20 (at 73°F / 23°C, ISO 100) | EV 0 – 20 (at 73°F / 23°C, ISO 100) |
Exposure Control Systsems | Programmed AE (shiftable), Shutter-priority AE, Aperture-priority AE, Manual exposure, Bulb, Custom shooting mode, Scene Intelligent Auto (Program AE / non-shiftable), Flash OFF, Creative Auto, Special Scene (Portrait, Landscape, Close-up, Sports, Night Portrait, Handheld Night Scene, HDR Backlight Control) | Program AE (Shiftable), Shutter-priority AE (Safety shift possible), Aperture-priority AE (Safety shift possible), Manual exposure, Bulb, Full Auto, Flash Off, Creative Auto, Programmed Image Control modes (Portrait, Landscape, Close-up, Sports, Night Portrait), E-TTL II Autoflash Program AE (Evaluative metering, Averaged metering) |
Sensitivity Range | ISO 100-12800 (expandable to ISO 25600) | ISO 100-6400 (expandable to ISO 12800) |
Exposure Compensation | +/- 5 EV in 1/3 or 1/2 steps | +/- 5 EV in 1/3 or 1/2 steps |
Shutter Type | Vertical-travel, mechanical, focal-plane shutter with all speeds electronically controlled | Vertical-travel, mechanical, focal-plane shutter with all speeds electronically controlled |
Shutter Speed Range | 1/8000 to 30 sec., bulb; X-sync at 1/250 sec. | 1/8000 to 30 sec., bulb; X-sync at 1/250 sec. |
Shutter Release | Soft-touch electromagnetic release | Soft-touch electromagnetic release |
Self-Timer | 10 or 2 sec. delay | 10 or 2 sec. delay |
Shutter Time Lag | Approx. 0.065 sec. (about 0.1 sec. in silent shooting mode) | Not specified by manufacturer |
Built-In Flash Type | Auto pop-up, retractable, built-in flash in the pentamirror | Auto pop-up, retractable, built-in flash in the pentamirror |
Built-In Flash Guide Number | Approx. 39.4' / 12m at ISO 100 | Approx. 43' / 13m at ISO 100 |
Built-In Flash Coverage | Up to 17mm focal length | Up to 17mm focal length |
Flash Exposure Compensation | +/- 3 EV in 1/3 or 1/2 steps | +/- 3 EV in 1/3 or 1/2 steps |
Flash Metering System | E-TTL II autoflash (evaluative flash metering and average flash metering), FE lock | E-TTL II autoflash (evaluative flash metering and average flash metering), FE lock |
PC Terminal | None | None |
Drive Modes | Single shooting, High-speed continuous shooting, Low-speed continuous shooting, Silent single shooting, Silent continuous shooting, 10 sec. self-timer/remote control, 2 sec. self-timer.remote control | Single shooting, High-speed continuous shooting, Low-speed continuous shooting, 10 sec. self-timer/remote control, 2 sec. self-timer.remote control |
Continuous Shooting | Up to approx. 7 fps (low and silent continuous shooting: 3 fps) | Up to approx. 5.3 fps (low continuous shooting: 3 fps) |
Maximum Burst (8GB UHS-I Memory Card) | JPEG L/FINE: Approx. 65 shots RAW: Approx. 16 shots RAW + JPEG L/FINE: 8 shots | JPEG L/FINE: Approx. 58 shots RAW: Approx. 16 shots RAW + JPEG L/FINE: 7 shots |
Live-View Shooting Modes | Still photo and video shooting | Still photo and video shooting |
Live-View Focusing | Dual Pixel CMOS AF, One-shot AF (Face Detection plus Tracking AF, FlexiZone [multi 31 zones/single]) TTL secondary image-forming, phase-difference detection with AF operation, One-shot AF (Manual selection [single point/zone AF], Auto 19-point AF selection) Manual focus (5 to 10x enlargement available) | Autofocus (One-Shot AF) One-point, contrast AF; Face Detection, contrast AF; Quick mode- nine-point, phase-difference AF Manual Focus (5 to 10x enlargement available) |
Live-View Metering Modes | Real-time evaluative metering with image sensor: Evaluative, Partial, Spot, Center-weighted average metering | Real-time Evaluative metering with the image sensor |
Live-View Metering Range | EV 1 – 18 (with Dual Pixel CMOS AF at 73°F / 23°C and ISO 100) | EV 1 – 20 (with Dual Pixel CMOS AF at 73°F / 23°C and ISO 100) |
Video File Format | MOV (Movie: MPEG-4 AVC / H.264, Audio: Linear PCM) | MOV (Movie: MPEG-4 AVC / H.264, Audio: Linear PCM) |
Video File Size | Full HD: 1920 x 1080 (30, 25, 24 fps) 235MB/min with IPB compression 685MP/min with All-I compression HD: 1280 x 720 (60, 50 fps) 205MB/min with IPB compression 610MB/min with All-I compression SD: 640 x 480 (30, 25 fps) 78MB/min with IPB compression | Not specified by manufacturer |
Frame Rates | Full HD (1920 x 1080): 30p (29.97), 25p, 24p (23.976) HD (1280 x 720): 60p (59.94), 50p SD (640 x 480): 30p (29.97), 25p | Full HD (1920 x 1080): 30p (29.97), 25p, 24p (23.976) HD (1280 x 720): 60p (59.94), 50p SD (640 x 480): 30p (29.97), 25p |
Continuous Shooting Time (8GB Memory) | Full HD: 32 min. with IPB compression 11 min. with All-I compression HD: 37 min. with IPB compression 12 min. with All-I compression SD: 97 min. with IPB or All-I compression | Not specified by manufacturer |
Video Focusing | Dual Pixel CMOS AF (One-Shot, Servo AF, Manual) | One-Shot, Servo AF, Manual |
Video Exposure Control | Program AE: P, Av, Tv modes; shutter-speed 1/30 to 1/4000 sec. with aperture and ISO speeds automatically set Manual exposure: Shutter-speed, aperture, and ISO speeds manually set | Program AE: P, Av, Tv modes; shutter-speed 1/30 to 1/4000 sec. with aperture and ISO speeds automatically set Manual exposure: Shutter-speed, aperture, and ISO speeds manually set |
Video Exposure Compensation | +/- 3 EV in 1/3 steps | +/- 3 EV in 1/3 steps |
LCD Monitor Type | TFT color, LCD monitor with Touch panel LCD (capacitive type) | TFT color, LCD monitor |
Monitor Size | 3.0" / 7.7 cm diagonal with 3:2 aspect ratio | 3.0" / 7.7 cm diagonal with 3:2 aspect ratio |
Monitor Pixels | Approx. 1,040,000 dots | Approx. 1,040,000 dots |
Monitor Design | Vari-angle; tilting | Vari-angle; tilting |
Monitor Frame Coverage | Approx. 100% | Approx. 100% |
Interface | USB 2.0, HDMI Type C, 3.5mm Microphone | USB 2.0, HDMI Type C, 3.5mm Microphone |
Video Output | NTSC or PAL | NTSC or PAL |
Power Source | LP-E6 rechargeable lithium-ion battery pack | LP-E6 rechargeable lithium-ion battery pack |
Optional AC Adapter | ACK-E6 AC Adapter Kit | ACK-E6 AC Adapter Kit |
Battery Life (73°F / 23°C) | Viewfinder: Approx. 1,300 shots (AE 100%) Live View: Approx. 230 shots (AE 100%) | Viewfinder: Approx. 1,600 shots (AE 100%) Live View: Approx. 350 shots (AE 100%) |
Startup Time | Approx. 0.15 sec. | Approx. 0.1 sec. |
Operating Temperature | 32–104°F / 0–40°C | 32–104°F / 0–40°C |
Operating Humidity | 85% or less | 85% or less |
Dimensions | 5.5 x 4.1 x 3.1" / 139 x 104.3 x 78.5mm | 5.7 x 4.2 x 3.1" / 144.5 x 105.8 x 78.6mm |
Weight | 1.7 lb / 755 g (with battery and memory card) | 1.7 lb / 755 g (with battery and memory card) |





















